Overview

JANE HARRIS, 1956-2022

 

Jane Harris was born in Dorset in 1956. She received a Higher Diploma Fine Art from the Slade School of Fine Art in 1981 and an MA Fine Art from Goldsmiths College in 1991. She was a lecturer in Fine Art at Goldsmiths from 1991 until 2006 when she moved to France.

Her work is held in many major collections including Arts Council England; Birmingham Museum and Art Gallery ; Colorado University Art Museum ; Ernst & Young, London ; Fidelity Worldwide Investment; Fitzwilliam Museum, Cambridge ; FRAC MÈCA La Nouvelle Aquitaine, FRAC-Artothèque Limousin, FRAC Poitou- Charente ; Marsh, London ; Pallant House, Chichester (Golder-Thompson Gift) ; Pictet & Cie, London ; Rhode Island School of Design Museum ; Southampton City Art Gallery and the UK Government Art Collection.

In 1995 she was awarded the Arts Foundation Painting Fellowship and she has twice been Artist in Residence at the Josef and Anni Albers Foundation CT USA, in 2011 and 2015. She has been a prize winner at the John Moores Liverpool (1995) and the Jerwood Drawing Open (1996) and in 2012 she won The Sunny Dupree Family Award for a woman artist at the Royal Academy Summer Exhibition.

 

For the past three decades, Jane Harris investigated the geometric form of the ellipse - an elastic shape that lends itself to allusion and can take on multiple identities. Drawn from templates, the forms are painted in various relationships to each other, in two or three colours. From these simple parameters she is able to create images that remind how the basic effects of all painting lie in the movement of light passing across a surface, which carries the substance of 'formed and transformed' matter. Her paintings express and originate from an intense involvement with the natural world and phenomena that exist within it: the sun backlighting a cloud, or the movement of wind on water, the granular quality of dusk. Her elliptical forms have a slippery kind of ambiguity and through her handling of paint she proposes various possibilities for how we perceive them. Hovering between non-figurative and figurative, they can be apprehended as shapes which appear flat on the surface of a support while simultaneously carrying a sense of recessional depth.

THE ESTATE OF JANE HARRIS

The Estate of Jane Harris is managed by Freeny Yianni, CEO of CLOSE Ltd gallery, and gallerist Prue O’Day. Freeny Yianni first worked with the artist during the time she was with Lisson Gallery and has represented her since 2019.  Prue O’Day supported Jane Harris after she graduated from Goldsmiths College with exhibitions at the Anderson O’Day Gallery, and became a lifelong family friend. The Estate of Jane Harris is represented by CLOSE and O’Day on behalf of Jiri Kratochvil and George Kratochvil.

Works
  • Jane Harris, 18:6, 2003
    18:6, 2003
  • Jane Harris, 15:14, 2006
    15:14, 2006
  • Jane Harris, Interlopers, 2008
    Interlopers, 2008
  • Jane Harris, Set to Rise, 2010
    Set to Rise, 2010
  • Jane Harris, Yonder (Diptych), 2012
    Yonder (Diptych), 2012
  • Jane Harris, Mood Lighting, 2013 – 2019
    Mood Lighting, 2013 – 2019
  • Jane Harris, Edges on Edge – Red, 2014
    Edges on Edge – Red, 2014
  • Jane Harris, Smoke and Mirrors 1, 2016
    Smoke and Mirrors 1, 2016
  • Jane Harris, Part Worlds, Worlds Apart 8, 2016
    Part Worlds, Worlds Apart 8, 2016
  • Jane Harris, Strike Out, 2017
    Strike Out, 2017
  • Jane Harris, Playing Cool, 2017
    Playing Cool, 2017
  • Jane Harris, Touching Light, 2018
    Touching Light, 2018
  • Jane Harris, Touch Light 4, 2018
    Touch Light 4, 2018
  • Jane Harris, Smoke and Mirrors 6, 2018
    Smoke and Mirrors 6, 2018
  • Jane Harris, Wild Thing, 2019
    Wild Thing, 2019
  • Jane Harris, Aloof, 2020
    Aloof, 2020
  • Jane Harris, Soft Chargers, 2015
    Soft Chargers, 2015
  • Jane Harris, Setting Out, 2020
    Setting Out, 2020
  • Jane Harris, Flying high, 2008
    Flying high, 2008
  • Jane Harris, Quartet, 2011 – 2019
    Quartet, 2011 – 2019
  • Jane Harris, The Fugitives, 2008
    The Fugitives, 2008
  • Jane Harris, Reserve (Diptych), 2014
    Reserve (Diptych), 2014
  • Jane Harris, Touch Me No Longer, 1996
    Touch Me No Longer, 1996
  • Jane Harris, Look There, Look There, 2014
    Look There, Look There, 2014
  • Jane Harris, Undercover, 2020
    Undercover, 2020
  • Jane Harris, Fresh Light, 2020
    Fresh Light, 2020
  • Jane Harris, Evening Calls, 2020
    Evening Calls, 2020
  • Jane Harris, Either Way (Diptych), 2014-18
    Either Way (Diptych), 2014-18
  • Jane Harris, Et Al (Diptych), 2019
    Et Al (Diptych), 2019
  • Jane Harris, On Air, 2020
    On Air, 2020
  • Jane Harris, Night Ride, 2017
    Night Ride, 2017
  • Jane Harris, Touch Light 1, 2018
    Touch Light 1, 2018
  • Jane Harris, Touch Light 11, 2018
    Touch Light 11, 2018
  • Jane Harris, Touch Light 2, 2018
    Touch Light 2, 2018
  • Jane Harris, Touch Light 5, 2018
    Touch Light 5, 2018
  • Jane Harris, Smoke and Mirrors 5, 2018
    Smoke and Mirrors 5, 2018
  • Jane Harris, Edges on Edge – Blue, 2014
    Edges on Edge – Blue, 2014
  • Jane Harris, Edges on Edge – Red, 2014
    Edges on Edge – Red, 2014
  • Jane Harris, Orbiters 10, 2017
    Orbiters 10, 2017
Exhibitions
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