Yellow Throw, 1996
FAD Magazine’s Paul Carey-Kent has spotlighted Anna Mossman’s arresting early photographic works in his review of Photo London 2025, calling attention to her radical approach to image-making at the intersection of performance, self-portraiture, and disruption.
Exhibited at our stand at Somerset House, Mossman’s pieces from the mid-1990s stood out in the international photography fair for their visceral energy and layered conceptual depth.
As Photo London 2025 showcases both historical and contemporary approaches to photography, Mossman’s work remains strikingly relevant - underscoring the continued resonance of experimentation and defiance in visual culture.
Read the full review here
16 May 2025
